1,2,3…Bébé 1,2,3…Bébé


Teatru: Teatrul National Marin Sorescu
Durată: 2h
Regia: Regia Raluca Păun Raluca Păun
Autor: Autor André Roussin
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Andre Roussin, born on January 22, 1911 in Marseilles, the son of an industrialist, began his occupation with his friend Louis Ducreux (and the theater company Le Rideau gris) before achieving success and fame with Une grande fille toute simple (1944). , Nina, Le Petit Hutte (1974), Les Oeufs d’Autruche (1948), Bobosse (1950), Lorsque l’Enfant paraît (1951), La Mamma (1957), Les Glorieuses (1960) ), La Coquine (1961), La Voyante (1963), La Locomotive (1966). He also published memoirs (Patiences et impatiences, 1953); Un contentement raisonnable, 1965) in Plon and Comedies de la Scene et de la ville by Calmann-Levy.

Pierre de Boisdeffre, A Living History of French Literature Today, Universe Publishing, 1972

The day that Charles Jaquet, Minister of Education, Family and Culture, a staunch enemy of vice and sin, achieves a political success by closing brothels and banning abortions, is also the day that he receives blow after blow at home, first from his son, then from his wife. They have some shocking news for him! His career, his son’s future and his daughter’s wedding are in jeopardy! His only hope remains that the bio-experiment with the rabbit will be negative! A sparkling comedy written by André Roussin in 1951, but still extremely topical today. A show full of unexpected twists and turns.


Cosmin Rădescu plays a charming role, creating a frivolous, intelligent, rather bored character in the marital relationship, a moralist in public, but also at home, when he keeps waving an extended index finger in front of the children, but at the same time a caring, diplomatic, empathetic spirit, ready to support his boy both materially and with advice: ‘As a man you must not leave any traces.’ Well, what, are you a slug?”. […]
When you have a good text, it seems simple. The merit of the directors Alexandru Boureanu and Raluca Păun is precisely this: that it seems simple, that everything flows naturally, that a certain atmosphere is created, through sets and costumes, through lights and musical illustration – from French pieces, at “Itsy Bitsy Teenie Weenie Yellow Polkadot Bikini ” they stand out, but the show, the actors. ”
Cornel Mihai Ungureanu, SpectActor nr. 3/2019

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